FUJIFILM has announced the latest addition to its X-E range of rangefinderstyle mirrorless cameras. Billed as the most portable model in the X-series line-up, it employs the same 26.1 MP X-Trans CMOS 4 sensor and X-Processor 4 as the flagship X-T4.
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From Canon’s prestigious L-series lineup, this is the first-choice zoom for astrophotography with a DSLR. The maximum viewing angle is less extreme than that of the EF 11-24 mm f/4L USM, but the 16-35 mm is a whole f-stop faster, so has better lightgathering potential.
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Leica has announced the launch of SL2-S camera that expands the multi-faceted SL-System with a versatile fullframe camera.
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UNDERSTANDING EXPOSURE
Learn how to control the three variables that determine the exposure of a photograph Exposure, photo course, exposure triangle
Sony’s FE 20 mm f/1.8 G is an ultrawide-angle full-frame lens made for Sony E-mount cameras. Relatively small and light, this prime lens has excellent optics and autofocus speed.
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The world’s fastest autofocus lens is here and it looks like a beauty. We take a first look – Fujifilm Fujinon XF 50mm f/1.0 R WR
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A change of ownership may be happening soon, but Olympus is still busy launching new products. The fi rst of the OM-D line of Micro Four Thirds mirrorless cameras to reach its fourth-generation version is the entry-level E-M10. The E-M10 Mark IV keeps the same compact body as its predecessor, but is now even lighter and steps up to a 20.3 megapixels LiveMOS sensor.
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The Swedish company Profoto is a world leader in advanced photographic lighting solutions. Their portable studio flash, the A1 was an innovative product that had several firsts to its credit. Their newest model, the Profoto A10, builds on its predecessor‘s success and brings a host of new features while maintaining the same form factor.
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DJI has announced the successor to its DJI Osmo Pocket, which is simply called the DJI Pocket 2. The new model brings a number of improvements over the original stabilised mini camera. Most notably a larger sensor, a wider lens, and a new range of accessories.
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Nikon hasn’t necessarily done anything radical with these ‘mark II’ cameras, but has instead concentrated on fixing the originals’ most obvious weaknesses. Its carefully calibrated set of updates should make both models more attractive to demanding users who require more reliable continuous autofocus, or need to be able to back up their images to two cards during important shoots such as weddings. However, they’re less likely to win over those who feel that the Z cameras’ design and styling has strayed too far from the firm’s DSLRs.
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