Daytime shooting means you have no shortage of light, shutter speeds are high and there is little chance of either motion blur or camera shake. Why would you deliberately want to choose slow shutter speeds? It is, for want of a better phrase, an artistic choice. We are very used to seeing images taken in the daytime that are sharp, free from camera shake or motion blur where everything is static and frozen in place.
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Hot on the heels of the high-end FE 50 mm f/1.2 G Master, Sony has revealed three new prime lenses at the opposite end of the size (and price) spectrum. The Sony FE 24mm f/2.8 G, 40mm f/2.5 G and 50 mm f/2.5 G are compact, highly portable lenses, which between them still take up less space than a regular standard zoom.
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The Fujifilm GFX 100S is the fourth model in the GFX series, inheriting the 102 MP sensor from the GFX 100. However, it one-ups its predecessor by coming in a much smaller. DSLR-style body that boasts better image stabilisation – and it comes with a smaller price tag than the previous model.
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The X-T4 was followed by the X-100V. Now, we have with us the new X-S10 announced in October 2020. The X-S10 seeks to open up a new market for Fujifilm in affordable enthusiast cameras. It essentially uses the same 26.1 MP APS-C X Trans CMOS sensor as the X-T4 but is more affordable.
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For photographers who prefer to make simple enhancements, Camera RAW can be all you need. You have greater scope to rescue exposure problems, adjust white balance and pull detail out. You can tweak a setting, change a crop or alter the look of the image at any time.
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